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HYPER-REALISTIC ARCHITECTURAL INTERIOR PHOTOGRAPHY
— ABSOLUTE REFERENCE PRESERVATION
Transform this reference image into an ultra-realistic, high-end architectural lifestyle photograph while preserving absolutely everything visible in the original image.
Use the reference image as the exact visual source of truth.
The transformation is primarily about photographic realism, material realism, surface texture, lighting, atmosphere, depth, natural imperfections, and realistic human integration.
The existing interior design, architecture, finishes, materials, furniture, objects, proportions, perspective and composition must remain unchanged.
Do not redesign the interior.
Do not reinterpret the interior.
Do not replace existing materials.
Do not change existing finishes.
Do not change the existing colour palette.
Do not change the architectural design.
Do not change the furniture arrangement.
Do not change the composition.
The final image must look like the exact same interior photographed professionally with a high-end full-frame camera, with dramatically improved photographic realism and material quality.
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ABSOLUTE PRESERVATION — HIGHEST PRIORITY
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Preserve exactly:
- existing architecture
- room geometry
- proportions
- dimensions
- walls
- ceiling
- floor
- kitchen island
- cabinetry
- cabinet layout
- tall units
- wall panels
- backsplash
- countertops
- appliances
- sink
- faucet
- lighting fixtures
- furniture
- lounge chair
- curtains
- decorative objects
- accessories
- windows
- glazing
- doors
- openings
- existing materials
- existing colours
- existing finishes
- object placement
- spatial relationships
- camera position
- camera height
- focal-length appearance
- perspective
- viewing direction
- framing
- crop
- composition
- visual hierarchy
Do not add architectural elements.
Do not remove architectural elements.
Do not relocate anything.
Do not resize anything.
Do not simplify anything.
Do not reconstruct anything.
Do not modernize anything.
Do not make the interior more luxurious by changing its design.
Do not make the interior more minimal.
Do not change the existing material palette.
Do not change the existing colour palette.
The original interior design must remain completely intact.
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PRIMARY TRANSFORMATION
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The only intended transformation is:
1. dramatically improve photographic realism
2. improve existing material texture quality
3. improve surface micro-detail
4. improve physically accurate light–material interaction
5. improve realistic reflections
6. improve realistic shadows
7. improve natural depth and tonal transitions
8. improve photographic atmosphere
9. naturally integrate the woman into the existing interior
The final image must remain visually identical to the original reference in architecture, design, materials, furniture, objects, spatial relationships, camera and composition.
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OVERALL MOOD
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Create a dark, moody, low-key architectural photography atmosphere.
The interior should feel:
- warm
- quiet
- luxurious
- sophisticated
- intimate
- calm
- tactile
- contemporary
- naturally lived-in
- architecturally refined
Use restrained cinematic underexposure.
The image should feel atmospheric and sophisticated rather than dramatically stylized.
Maintain deep blacks and controlled shadows while preserving sufficient material information in darker areas.
The mood must come from:
- realistic exposure
- warm artificial light
- soft natural daylight
- realistic material response
- subtle shadow depth
- controlled highlights
- natural tonal transitions
No excessive cinematic stylization.
No exaggerated contrast.
No crushed shadow detail.
No artificial HDR.
No excessive bloom.
No artificial colour grading.
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LIGHTING — CRITICAL PRIORITY
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Physically accurate architectural photography lighting.
Use deliberate cinematic underexposure while maintaining realistic exposure relationships between the interior, woman, furniture, walls, floor, cabinetry, kitchen island, ceiling, and all architectural elements.
Warm artificial lighting approximately 2700–3000K remains restrained, soft, directional, and realistic.
The warm artificial light should gently graze the existing warm natural wood surfaces and architectural elements, revealing their authentic natural grain, fine pores, subtle surface imperfections, micro-texture, and material depth primarily through controlled highlights and soft shadow transitions.
Do NOT turn the existing wood into walnut.
Do NOT darken the existing wood.
Do NOT make the wood orange.
Do NOT make the wood reddish.
Do NOT change the existing wood colour.
The warm light may create subtle warm tonal influence on the existing wood, but the underlying material and colour must remain faithful to the reference.
Natural sunlight remains present and readable.
Soft natural daylight enters the space naturally through the existing glazing and interacts with:
- the dark floor
- kitchen island
- existing natural wood cabinetry
- original wall surfaces
- black architectural elements
- countertop
- furniture
- curtains
- decorative objects
- the woman
Natural daylight should create:
- soft realistic highlights
- subtle reflections
- realistic shadow transitions
- believable colour transitions
- natural light falloff
- physically accurate ambient illumination
Maintain realistic exposure relationships between the brighter window area and the darker interior.
The window area may remain naturally brighter than the interior, but it should retain believable photographic detail and must not appear artificially blown out.
Use realistic:
- indirect illumination
- global illumination
- bounce light
- ambient occlusion
- contact shadows
- cast shadows
- reflected light
- natural colour bounce
- realistic light falloff
- physically accurate shadow density
The woman must receive exactly the same lighting conditions as the surrounding architecture.
Her skin, hair and navy clothing must respond naturally to the same warm artificial light and natural daylight.
The woman must NOT appear separately illuminated.
No beauty lighting.
No studio lighting.
No spotlight on the woman.
No artificial rim light.
No dramatic backlight added specifically for the woman.
No artificial glow.
No theatrical lighting.
No visible light beams.
No excessive volumetric light.
No excessive bloom.
No lens flare.
No stylized lighting effects.
The final lighting must look as though the entire scene — architecture, furniture, materials and woman — was photographed simultaneously inside the real interior.
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EXISTING WOOD — PRESERVE EXACTLY
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Preserve the existing warm natural wood cabinetry and wall elements exactly as shown in the reference.
The existing wood colour must remain unchanged.
Do NOT transform it into:
- dark walnut
- black wood
- orange wood
- reddish wood
- yellow oak
- grey wood
- artificially stained wood
Do not change the apparent species or visual identity of the existing wood.
Only improve the realism and texture quality.
The existing wood should look like authentic high-end natural architectural veneer photographed in real life.
Create extremely realistic:
- fine natural grain
- subtle longitudinal grain direction
- delicate pore structure
- microscopic tonal variation
- natural growth variation
- subtle differences between veneer sheets
- realistic veneer transitions
- subtle surface irregularities
- extremely fine tactile texture
- realistic edge definition
- natural light absorption
- physically accurate reflectivity
- subtle dimensional depth
The grain should remain relatively calm, elegant and architectural.
Avoid exaggerated rustic grain.
Avoid dramatic knots.
Avoid excessive contrast in the grain.
Avoid repetitive patterns.
Avoid cloned grain.
Avoid procedural texture.
Avoid perfectly uniform surfaces.
Avoid excessive sharpening.
The wood should look more realistic, not different.
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WOOD SURFACE FINISH
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Preserve the existing matte-to-satin appearance.
Use subtle, physically accurate reflectivity.
The surface should contain:
- soft diffuse reflection
- extremely subtle highlights
- realistic micro-roughness
- visible but restrained grain
- natural pore structure
- slight imperfections
- realistic material depth
The wood must never appear:
- plastic
- laminated
- artificially glossy
- artificially dark
- synthetic
- flat
- CGI-generated
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WALLS — ORIGINAL FINISH PRESERVED
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Preserve the existing wall finish exactly as shown in the reference.
Do NOT replace the walls with:
- walnut
- wood
- concrete
- stone
- marble
- decorative plaster
- microcement
- architectural panels
- another material
Do NOT change their colour.
Do NOT change their geometry.
Do NOT add cladding.
Do NOT remove wall surfaces.
Only improve their texture and photographic realism.
The original wall surface should gain subtle:
- micro-texture
- natural surface irregularities
- very fine tonal variation
- realistic diffuse response
- subtle pores
- natural imperfections
- believable material depth
- realistic interaction with light
The texture must remain subtle.
It should be visible primarily through realistic light grazing across the surface rather than exaggerated artificial detail.
The walls must still look exactly like the original walls.
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CEILING — ORIGINAL FINISH PRESERVED
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Preserve the existing ceiling exactly.
Do not change:
- colour
- geometry
- height
- surface finish
- lighting positions
Improve only photographic realism.
Create subtle natural tonal variation and realistic light falloff.
No artificial texture.
No decorative redesign.
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BLACK ELEMENTS
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Preserve all existing black elements exactly.
This includes:
- black cabinetry
- black island
- black backsplash
- black vertical architectural elements
- black curtains
- black metal details
- black frames
- dark floor
Do not change their colour.
Do not lighten them.
Do not replace them.
Improve only their physical realism.
Black surfaces should retain deep rich blacks while preserving subtle material information.
Create realistic:
- micro-roughness
- soft reflections
- subtle tonal variation
- natural specular response
- fine surface imperfections
- realistic light absorption
No artificial glossy black.
No plastic black.
No crushed black detail.
No CGI appearance.
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FLOOR — ORIGINAL DARK FINISH PRESERVED
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Keep the existing dark floor exactly as shown in the reference.
Do NOT replace it with concrete.
Do NOT make it light grey.
Do NOT change its colour.
Do NOT change its geometry.
Do NOT introduce new joints.
Only improve its realism.
Add extremely subtle:
- natural micro-texture
- fine surface variation
- realistic diffuse reflection
- subtle sheen
- natural imperfections
- physically accurate light reflection
- realistic contact shadows
The floor must remain dark, elegant and understated.
No wet appearance.
No mirror-like reflection.
No excessive gloss.
No plastic appearance.
No artificial uniformity.
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COUNTERTOPS
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Preserve the existing countertop exactly.
Maintain:
- colour
- geometry
- thickness
- edge profile
- surface character
- spatial position
Improve only its physical realism.
Create subtle:
- mineral variation
- micro-texture
- realistic roughness
- natural tonal variation
- physically accurate reflection
No material replacement.
No colour change.
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BLACK BACKSPLASH
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Preserve the existing black backsplash exactly.
Improve only:
- surface depth
- subtle micro-texture
- realistic reflection
- micro-roughness
- light interaction
- tonal variation
Keep it dark, sophisticated and understated.
No mirror effect.
No excessive gloss.
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METAL ELEMENTS
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Preserve all existing metal fixtures and hardware exactly.
This includes:
- faucet
- handles
- lighting details
- metal frames
- other visible metal components
Maintain their existing colour and finish.
Improve:
- realistic metal reflectivity
- subtle imperfections
- physically correct highlights
- realistic edge reflections
- natural interaction with surrounding light
No exaggerated chrome.
No excessive sharp reflections.
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GLASS AND WINDOWS
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Preserve the existing glazing and window frames exactly.
Glass should remain physically realistic with:
- subtle transparency
- realistic reflections
- slight atmospheric variation
- natural exterior light
- physically accurate refraction
Do not alter the window dimensions.
Do not redesign the glazing.
Do not change the exterior architecture visible through the glass.
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CURTAINS AND TEXTILES
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Preserve the existing curtains and textiles exactly.
Improve their realism through:
- authentic textile structure
- subtle individual fibre detail
- natural folds
- gravity-driven draping
- realistic compression
- realistic light absorption
- natural shadow behaviour
No artificial smoothing.
No synthetic appearance.
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MATERIAL REALISM
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All materials must exhibit physically accurate behaviour under the existing lighting.
Every surface should contain subtle real-world micro-imperfections appropriate to its material.
Upholstered fabrics should show:
- realistic textile density
- subtle individual fibres
- soft light absorption
- natural creasing
- subtle compression
- realistic shadow behaviour
Stone and mineral surfaces should feel:
- heavy
- tactile
- dense
- physically real
- subtly porous
- naturally varied
Glass should remain:
- physically transparent
- subtly reflective
- naturally refractive
Metal should remain:
- subdued
- physically reflective
- controlled in its highlights
Wood should remain:
- natural
- warm
- tactile
- subtly textured
- physically dimensional
No material should appear excessively glossy or artificially perfect.
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WOMAN — SAME WOMAN AS PREVIOUSLY CREATED
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Add the SAME blonde woman from the previously created reference.
She must visually correspond to the exact same woman previously generated.
Do NOT generate a different woman.
Do NOT create a generic blonde model.
Preserve the same:
- blonde hair character
- hairstyle
- facial proportions
- facial character
- natural expression
- body type
- body proportions
- feminine silhouette
- age appearance
- overall appearance
- relaxed personality
- photographic quality
She should look like the exact same real woman photographed during the same professional architectural photoshoot.
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WOMAN — NATURAL APPEARANCE
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Naturally beautiful adult blonde woman.
Long, loose, softly wavy blonde hair.
Warm natural blonde colour with subtle darker blonde roots and realistic tonal variation.
Individual hair strands must be visible.
Hair should contain:
- natural flyaway strands
- realistic density
- believable volume
- subtle irregularities
- natural highlights
- realistic interaction with ambient light
Facial features should be refined but completely natural.
Preserve subtle natural facial asymmetry.
Skin should contain:
- realistic pores
- tiny imperfections
- subtle tonal variation
- believable translucency
- physically accurate subsurface scattering
- natural highlights
- realistic shadow transitions
No plastic skin.
No airbrushed skin.
No artificial beauty filter.
No excessive smoothing.
No mannequin appearance.
No generic AI face.
No excessive beauty retouching.
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OUTFIT — SAME DESIGN, DEEP NAVY BLUE
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The woman wears the SAME relaxed two-piece outfit from the original prompt, but the colour is changed to sophisticated deep navy blue.
The outfit consists of:
- relaxed oversized beige-style tailored blazer silhouette
- matching very wide-leg full-length trousers
- flowing wide trouser silhouette
- relaxed contemporary tailoring
- understated luxury aesthetic
- premium linen-look textile
- matte tactile surface
The design, cut, proportions and silhouette must remain the same.
Only the colour changes.
The outfit colour must be:
- deep navy blue
- rich dark navy
- sophisticated
- slightly desaturated
- elegant
- architectural
The navy must remain visibly navy rather than becoming black.
Avoid:
- bright blue
- royal blue
- electric blue
- cyan
- turquoise
- purple-blue
- overly saturated blue
The navy fabric should respond naturally to the warm interior lighting.
Warm light may create extremely subtle warm tonal influence on the fabric while the garment remains clearly deep navy.
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CLOTHING REALISM
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The navy outfit must look like genuine premium linen or very high-quality linen-look fabric.
Include:
- authentic fibre structure
- subtle weave visibility
- natural weave irregularities
- realistic textile density
- natural wrinkles
- soft creasing
- realistic compression
- gravity-driven folds
- slight irregularity
- natural tension around elbows
- realistic folds around waist
- realistic folds around hips
- natural draping around legs
- matte light absorption
- subtle highlights only where fabric catches light
The trousers must remain VERY WIDE, flowing and full-length.
The trouser legs should naturally fall toward the floor with realistic weight and gravity.
The blazer should remain relaxed and slightly oversized.
No synthetic appearance.
No plastic texture.
No glossy fabric.
No excessive stiffness.
No fashion illustration.
No different outfit.
No dress.
No skirt.
No jeans.
No narrow trousers.
No leggings.
No bright colours.
No logos.
No unnecessary accessories.
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BAREFOOT
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The woman is barefoot.
Her feet must be:
- anatomically correct
- naturally positioned
- correctly proportioned
- physically grounded
- realistic in scale
Use subtle physically accurate contact shadows.
No floating feet.
No distorted toes.
No anatomical errors.
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POSE
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The woman stands naturally and calmly within the existing interior.
Her posture is:
- relaxed
- subtle
- elegant
- believable
- spontaneous
Avoid a fashion-model pose.
Avoid exaggerated body language.
Avoid dramatic gestures.
Use natural weight distribution.
Relaxed shoulders.
Subtle asymmetry.
Natural arms and hands.
Natural posture.
She should look as though she is naturally inhabiting the kitchen during an architectural photoshoot.
She should NOT appear to be intentionally posing for the camera.
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HUMAN SCALE
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Maintain physically correct human scale relative to:
- kitchen island
- cabinetry
- countertop
- doors
- walls
- floor
- furniture
- architectural openings
- ceiling height
- surrounding objects
The woman must be correctly integrated into the spatial perspective.
No oversized body.
No undersized body.
No distorted proportions.
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HYPER-REALISTIC HUMAN DETAIL
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The woman must look completely real.
Skin:
- realistic pores
- subtle fine lines
- natural imperfections
- realistic tonal variation
- believable translucency
- soft subsurface scattering
- natural highlights
- realistic shadow transitions
Hair:
- individual strands
- natural flyaway hairs
- realistic density
- physically believable volume
- subtle tonal variation
- natural highlights
- realistic interaction with ambient light
Hands:
- anatomically correct hands
- realistic fingers
- correct finger proportions
- natural joints
- subtle skin folds
- realistic nails
Feet:
- anatomically correct
- realistic toes
- realistic skin texture
- natural weight distribution
- accurate contact with floor
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INTEGRATION WITH ARCHITECTURE
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The woman must be physically integrated into the existing interior.
She must receive exactly the same lighting conditions as the surrounding architecture.
Her skin, hair and clothing must respond naturally to the same warm artificial light and natural daylight.
Use physically accurate:
- indirect illumination
- reflected light
- colour bounce
- ambient occlusion
- contact shadows
- cast shadows
- light falloff
- exposure
- depth
- atmospheric interaction
The existing warm natural wood should subtly influence the light falling onto her clothing and skin where physically appropriate.
The dark floor should create subtle, physically accurate reflected ambient light.
Her navy clothing should absorb and reflect light naturally according to its textile properties.
Her presence must feel as if she was physically standing in the interior during the original architectural photoshoot.
No cutout appearance.
No pasted-on appearance.
No halo.
No edge artefacts.
No mismatched sharpness.
No mismatched colour temperature.
No mismatched exposure.
No artificial compositing.
No artificial spotlight.
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CAMERA AND COMPOSITION
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The camera remains COMPLETELY LOCKED.
Preserve exactly:
- camera position
- camera height
- focal length
- perspective
- viewing direction
- framing
- crop
- composition
- architectural proportions
- spatial relationships
Do not move the camera.
Do not zoom.
Do not crop.
Do not change the lens.
Do not create another angle.
Do not introduce another shot.
Do not alter the perspective.
The woman must be inserted into the existing composition without changing the framing.
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DEPTH OF FIELD
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Use natural full-frame architectural photography depth of field.
Maintain realistic focus relationships between architecture and woman.
No artificial excessive background blur.
No cinematic fake bokeh.
No exaggerated shallow depth of field.
The image must retain sufficient architectural detail throughout the scene.
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PHOTOGRAPHIC MICRO-DETAIL
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Extremely realistic micro-contrast and organic sharpness.
Natural full-frame camera rendering.
Subtle optical characteristics of a professional architectural lens.
Natural tonal roll-off.
Realistic highlight behaviour.
Realistic shadow transitions.
Subtle film grain.
No oversharpening.
No excessive clarity.
No HDR appearance.
No artificial micro-contrast.
No digital noise.
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PHOTOGRAPHIC REALISM
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The final image must look like a genuine high-end architectural photograph captured with a professional full-frame camera.
It must NOT look like:
- CGI
- 3D render
- computer-generated visualization
- digital illustration
- AI-generated interior
- stylized image
Use:
- organic photographic sharpness
- realistic micro-contrast
- natural tonal roll-off
- realistic highlights
- realistic shadows
- physically accurate reflections
- natural material response
- subtle optical characteristics
- subtle film grain
- authentic colour response
No artificial perfection.
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FINAL IMAGE QUALITY
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Extreme detail.
Hyper-realistic material definition.
Organic photographic sharpness.
Physically accurate light–material interaction.
Natural human realism.
Realistic architectural scale.
Realistic reflections.
Realistic shadows.
Realistic textures.
Realistic colour grading.
Deep blacks.
Controlled highlights.
Natural tonal roll-off.
Subtle film grain.
Sophisticated editorial photography aesthetic.
The final image must be completely indistinguishable from a real high-end architectural photograph captured on a professional full-frame camera.
The architecture must remain exactly as in the reference.
The materials must remain exactly as in the reference.
The colours of the interior must remain exactly as in the reference.
The camera must remain exactly as in the reference.
The composition must remain exactly as in the reference.
The woman must look like the SAME blonde woman previously created.
She must wear the SAME two-piece outfit design, but in deep navy blue.
She must appear completely real, natural, anatomically correct, physically grounded, and perfectly integrated into the architectural photograph.
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FINAL NEGATIVE CONSTRAINTS
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NO CHANGE TO ARCHITECTURE.
NO CHANGE TO WALL FINISH.
NO CHANGE TO FLOOR FINISH.
NO CHANGE TO WOOD COLOUR.
NO DARK WALNUT.
NO LIGHT CONCRETE.
NO MATERIAL REPLACEMENT.
NO CHANGE TO CABINETRY.
NO CHANGE TO FURNITURE.
NO CHANGE TO OBJECT PLACEMENT.
NO CHANGE TO LIGHTING DESIGN.
NO CHANGE TO CAMERA.
NO CHANGE TO PERSPECTIVE.
NO CHANGE TO COMPOSITION.
NO REDESIGN.
NO REARRANGEMENT.
NO NEW ARCHITECTURAL ELEMENTS.
NO CGI LOOK.
NO 3D RENDER LOOK.
NO AI-GENERATED LOOK.
NO DIGITAL ILLUSTRATION.
NO STYLIZATION.
NO ARTIFICIAL PERFECTION.
NO PLASTIC MATERIALS.
NO PLASTIC SKIN.
NO FAKE WOOD GRAIN.
NO PROCEDURAL TEXTURES.
NO CLONED TEXTURES.
NO EXCESSIVE WOOD GRAIN.
NO EXCESSIVE GLOSS.
NO ARTIFICIAL MIRROR REFLECTIONS.
NO ARTIFICIAL HDR.
NO EXCESSIVE SHARPNESS.
NO ARTIFICIAL BOKEH.
NO THEATRICAL LIGHTING.
NO LIGHT BEAMS.
NO LENS FLARE.
NO EXCESSIVE BLOOM.
NO ARTIFICIAL SPOTLIGHT ON WOMAN.
NO BEAUTY LIGHTING.
NO FASHION-MODEL POSE.
NO CHILDREN.
NO ADDITIONAL PEOPLE.
NO DIFFERENT WOMAN.
NO GENERIC AI FACE.
NO BEAUTY FILTER.
NO MANNEQUIN APPEARANCE.
NO DISTORTED HANDS.
NO DISTORTED FEET.
NO ANATOMICAL ERRORS.
NO FLOATING BODY.
NO CUTOUT EFFECT.
NO HALO.
NO EDGE ARTEFACTS.
NO COMPOSITING ARTEFACTS.
NO MISMATCHED LIGHTING.
NO MISMATCHED EXPOSURE.
NO MISMATCHED COLOUR TEMPERATURE.
NO MISMATCHED SHARPNESS.
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FINAL DIRECTIVE
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Preserve the exact original kitchen.
Preserve the exact original architecture.
Preserve the exact original materials.
Preserve the exact original wall finish.
Preserve the exact original warm natural wood.
Preserve the exact original dark floor.
Preserve the exact original black elements.
Preserve the exact original furniture and objects.
Preserve the exact original camera and composition.
Improve ONLY photographic realism, material texture, micro-detail, lighting realism, surface depth, reflections, shadows and natural human integration.
Maintain the dark, moody, warm, sophisticated luxury atmosphere of the original prompt.
Use realistic 2700–3000K warm artificial lighting combined with soft natural daylight.
Keep the interior deliberately slightly underexposed while preserving realistic material information.
The woman must be the same blonde woman as previously created.
She must wear the same wide-leg two-piece outfit design in sophisticated deep navy blue.
She must look physically present inside the space, naturally illuminated by the exact same lighting as the architecture.
The final result must look like a real professional architectural photograph, not a redesigned interior and not a CGI visualization.